| 000 | 03230cam a2200457 i 4500 | ||
|---|---|---|---|
| 001 | 22424680 | ||
| 003 | OSt | ||
| 005 | 20230627114903.0 | ||
| 008 | 220215s2022 gauab b 001 0 eng | ||
| 010 | _a 2022001410 | ||
| 020 |
_a9780820361628 _q(hardback) |
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| 020 |
_a9780820361635 _q(paperback) |
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| 040 |
_beng _erda _cNIRUC _dNIRUC |
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| 042 | _apcc | ||
| 043 | _af-ua--- | ||
| 050 | 0 | 0 |
_aDT137.S55 _b. D36 2022 |
| 082 | 0 | 0 |
_a953/.1 _223/eng/20220401 |
| 100 | 1 |
_a Damanhoury El, Kareem, _eauthor. |
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| 245 | 1 | 0 |
_aPhotographic warfare : _bISIS, Egypt, and the online battle for Sinai / _cKareem El Damanhoury. |
| 260 |
_aAthens : _bThe University of Georgia Press, _c2022. |
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| 264 | 1 |
_aAthens : _bThe University of Georgia Press, _c2022. |
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| 300 |
_a202 p, : _bill, map ; _c23 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aStudies in security and international affairs | |
| 504 | _aIncludes bibliographical references (pages 185-198) and index. | ||
| 505 | 0 | _aIntroduction : State and Non-state Actors' Visual Arsenals -- Contextualizing the Sinai Conflict -- The Military-Photography Nexus -- The Visual Framing Battle --The Visual Semiotic Battle -- An Analytic Framework of Visual Contestation. | |
| 520 |
_a"Photographic Warfare explores the processes of visual contestation at work in the competing official media campaigns of state forces and militant, nonstate actors in the online environment. Islamist and far-right militant groups are increasingly weaponizing their visual media by displaying their actions-beheadings, trainings, fighting on the battlefield, services provision to locals, and so on- as spectacles that circulate around the globe to challenge statebased media messaging and policy agendas. In response, numerous states and coalitions have expanded their online media presence to counter such threats. Using the conflict between ISIS and the Egyptian state over the Sinai Peninsula as a case study, Kareem El Damanhoury introduces an analytical framework of visual contestation to guide future studies of competing visual media campaigns in the online environment. The proposed model provides a rubric for dissecting and understanding contemporary photographic warfare using visual framing, semiotic analysis, contextual interpretations, and comparative applications. Photographic Warfare further emphasizes the many situational factors that influence visual output and content, including militant attacks, counterterrorism operations, loss of leaders, and introduction of new groups into the battlefield"-- _cProvided by publisher. |
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| 610 | 2 | 0 | _aIS (Organization) |
| 650 | 0 |
_aTerrorism _xReligious aspects _xIslam. |
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| 650 | 0 |
_aIslam and state _zEgypt _zSinai. |
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| 650 | 0 |
_aVisual communication _xPolitical aspects _zEgypt _zSinai. |
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| 650 | 0 |
_aTerrorism and mass media _zMiddle East. |
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| 650 | 0 |
_aPsychological warfare _zEgypt _zSinai. |
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| 651 | 0 |
_aSinai (Egypt) _xHistory. |
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| 830 | 0 | _aStudies in security and international affairs. | |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK _n0 |
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_c296 _d296 |
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